Lens #1: Pentax 67 90mm F2.8

It so happened that when I got my first Pentax 67 many years ago it was equipped with this lens. Eventually, this led to a decade-long “love affair” with the Pentax 67 system.

And now I think that it is for the best that I started shooting with this particular lens which turned out to be truly universal. And still remains such.

It is worth mentioning that this is not the first prime lens that Asahi released for its Pentax 67 system. It was preceded by other normal primes: well-regarded 105mm with an exceptionally beautiful bokeh, and 90mm with a leaf shutter. In 1979-80 Asahi revamped its line-up of lenses, having rebranded “TAKUMAR/6X7” as “PENTAX-6X7”, and started to produce a series of completely new lenses designed from scratch. A new 90mm F2.8 became one of the first in this line-up.

And despite the fact that the 90mm F2.8 is about half f-stop darker than the 105mm F2.4, it has some apparent advantages, which subsequently became very important for me.

Size and weight

Pentax 67 90mm F2.8 compared with 105mm, 135mm Macro and 165mm

Pentax 67 90mm F2.8 compared with other lenses

It is lighter and more compact compared to the 105mm lens – by 143g and 15mm respectively. It may seem at first that this difference is pretty small, but in fact, the Pentax 67 camera rather resembles a brick with a lens attached to it, both in terms of its size and weight. And lenses that go with this system are quite big, with most of them weighing above 0.5kg. That is why for travel and outdoor shooting every 100g on top of the set, as well as the size of the camera and the lens, are essential.

Image quality

It is sharp and contrast throughout the entire aperture range, even when it is wide open. A majority of lenses are manufactured in such way as to achieve optimum performance at medium apertures. This is also fair for 90mm F2.8. In fact, I do not do technical tests, but comparing printed images I can say that the sharpness of images shot with the aperture of F2.8-4 is almost equal to that of F5.6-11 and is almost brilliant.

Field of view

It covers 53° which is wider than 105mm lens by 7°. It seems to be not that much but this makes it closer to a 75mm lens, which is wider than 90mm lens on 8° and places it exactly between 75mm and 105mm lenses. So, you can shorten a gap in focal lengths between the 105mm standard lens and the 75mm wide-angle lens — just make a couple of steps with your feet and you will get a wider angle closer to a 75mm lens. This will allow you not to carry an additional lens and thus make your system set minimum 0.5kg lighter!

There is another good feature — the lens can be used on Pentax 645 cameras via a special lens adapter, working similar to the normal 645 lens. So, you may keep the 645 body as a backup camera without any native 645 lenses.

Close focusing

Pentax 67 90mm F2.8: helicoid extension at infinity and closest distances

Pentax 67 90mm F2.8 helicoid extension

It has a close focusing distance of just 65cm, which makes it unnecessary to use extension tube #1. The close distance is ~7.2× of the focal length while its typical value is 9-10×, such as 1.0m for 105mm. It gives 0.2× magnification ratio and image area around 35×28cm, which makes it comparable to a close-up lens near 135mm F4 Macro. But this comes at a price; in particular, it leads to a fall in the aperture by 1/2 EV at a minimum focusing distance. But it can be easily compensated by opening the aperture by half a step.


The lens has 8 aperture blades, which is typical for most of the Pentax 67 lenses. I rarely stop it down below F11, so I will show several photographs of aperture opening up to this value.

Pentax 67 90mm F2.8 aperture opening

Pentax 67 90mm F2.8 aperture opening


The lens has a 67mm filter thread which works fine with both screw-in and special bayonet mount filters.


The original clip-on plastic hood PH-SB 67mm costs around $50. While travelling I use a cheap compact metal round hood for $3 and during the staged photo shoots I prefer to use the Mamiya G2 bellows lens hood mounted with a special adapter.

Sample images

Pentax 67 90mm F2.8 (Adox CHS 100) © Sasha Krasnov - Portrait Photographer
Pentax 67 90mm F2.8 (Shanghai GP3) © Sasha Krasnov - Portrait Photographer
Pentax 67 90mm F2.8 (Kodak Ektacolor 160 Pro) © Sasha Krasnov - Portrait Photographer
Pentax 67 90mm F2.8 (Shanghai GP3 100) © Sasha Krasnov - Portrait Photographer
Pentax 67 90mm F2.8, Fujichrome Provia 100 (cross processed) © Sasha Krasnov - Portrait Photographer


So, it is completely different from 105mm F2.4 – a great all-around standard lens for everyday use, truly versatile, compact and lightweight with the great image quality. So, which one to choose? I’ve got both of them. Why? Well, I will describe it in the further article.

Lens data

Pentax 67 90mm F2.8 - optical formula

Pentax 67 90mm F2.8 – optical formula

  • Focal length: 90mm
  • 35mm equivalent: 46mm
  • Optical formula: 7 elements, 6 groups
  • Field of view: 53°/42.5° (Diagonal/Horizontal)
  • Aperture: 2.8 ~ 22 (8 blades)
  • Close distance: 65cm
    • Magnification: 0.2×
    • Picture area: 35×28cm
    • Exposure factor: ×1.44 (+0.53EV)
    • Effective lens speed: 3.4 ~ 26.4
  • Filter: 67mm, screw-in and bayonet
  • Hood: PH-SB 67mm
  • Case: S90-100
  • Dimensions: 92×45mm
  • Weight: 0.49kg
// Sasha Krasnov
Pentax 6X7 Bayonet mount filter 67mm skylight

← Pentax 67: Bayonet-mount filters

Lens #2: Pentax 67 135mm F4 Macro →

SMC PENTAX 67 MACRO 1:4 135mm


  1. Excellent review. Thanks for the information. You helped me decide to purchase this lens.

  2. Ivan Bird

    Hi Sasha. The nicest most informative site for these cameras I have come across. Feels new and fresh by comparison to most information and sites around on these beautiful cameras and lenses. Great work and much appreciated. I’m falling in love with my 6×7 and like the older 105 lens it came with but it is very warm compared to the newer versions, ok for B&W. There is something very special about the balance in the bokeh which sets it apart. The warm colour has something to do with the coating and apparently exposing it to daylight will gradually reduce the yellow as it’s radio active ? Anyways, in looking around for a newer version of the lens I eventually bought a one with a 67ii camera included, which is one of the last, bought from Calumet by the owner just before the full onslaught of digital. It’s had 50 rolls go through it before it was put away until now. I’m very excited about it arriving. Your thoughts on the 90 mm are very interesting. Keep it up !

    Regards Ivan.

    • Hello Ivan! Thank you for the message! Yes, some of the oldest 105mm F2.4 are changed to yellow, both Super-Takumar and SMC-Takumar due to the use of high index Thorium glass. Here is list of radioactive lenses. If you will shoot B&W only — it is ok, but with colour film, you will get a color tint of course. Many sources recommend exposing the lens under direct sunlight to get glass clear. Other sources recommend to expose it under cheap UV-lamp from Ikea. As for me — I would first try to expose it under direct sunlight for some hours. Anyway, you should have a pin that it is of course radioactive.

Leave a Reply